from Vigilant Citizen:

A look at the symbolism found throughout the finale of Eurovision 2019 and an analysis of Madonna’s extremely symbolic and controversial performance.

Eurovision is an annual international song competition with participants representing primarily European countries. The show has been broadcasting every year since 1956 and is one of the most watched non-sporting events in the world, ^{with an average audience of 300 million viewers.}

Needless to say, Eurovision has been incredibly influential throughout the decades and has helped launch the careers of countless artists. That being said, is there a chance that the show’s reach could be used by the elite to push its messages and symbolism? You betcha. And this year’s edition was particularly obvious. Taking place in Israel, the show even culminated with an elaborate yet horrifying performance by the Grand Priestess of the music industry herself: Madonna.

Here are some “lowlights” of the finale.

The finale featured dozens of performances by dozens of artists from dozens of countries around the world. Despite this great variety of cultural backgrounds, there was a clear common thread: Submission to the occult elite. Indeed, Eurovision is clear proof that the global music industry has to be subjected to the elite’s debasing and hegemonic culture.

Here are some examples.

Throughout the Belarus performance, several images relating to Monarch programming were displayed in the background. Here, the singer’s head is split in half as a tiger runs inside of it – a representation of Beta Kitten Programming.

Here, her head is split again (but vertically) as various letters and symbols enter her head. More mind control symbolism.

A lightning bolt goes through her head, representing electroshock torture to cause a split in the personality of the MK slave.

Strangely enough, the same exact symbolism was used during the performance of Mahmood – the representative from Italy.

At various times during his performance, Mahmood’s head is “fractured” in several pieces.

The Eurovision finale also contains other elements of the elite’s agenda.

The Azerbaijan performance had deep transhumanist themes. In this screenshot, robotic arms perform some sort of laser surgery on the singer’s heart. His heart is then “uploaded” on a screen and controlled through computers.

The finale also had some classic Illuminati symbolism.

The performance of Israeli singer Netta Barzilai (the winner of last year’s Eurovision) featured clear Masonic symbolism. It began with a ball that took place on a Masonic checkerboard pattern floor.

Then, a horned, Baphomet-like head appeared in the background, above another dualistic checkerboard pattern.

First, I need to say that people have the right to act and dress the way they want. And, if they’re talented enough, they definitely have the right to sing and take part in competitions. However, there was a clear and obvious overrepresentation of gender-ambiguous people during Eurovision and I am convinced that lots of them were there BECAUSE they were trans or drag queens and not because of talent. As stated in countless articles in the past, there is an agenda to expose the masses (and especially young people) to gender confusion. And Eurovision did its part. Here are some people who performed during the finale.

Israeli transgender singer Dana International performed at the beginning of the finale.

France representative Bilal Hassani was basically dressed as a woman.

Drag queen Conchita Wurst (winner of Eurovision 2014) performed during the finale.

Drag queen Verka Serduchka also performed.

Then, Madonna came out. And it was horrific.

Madonna’s performance at Eurovision was controversial for several reasons. First, many were unhappy that Madonna went to Israel to perform considering the whole Palestinian issue. Second, her singing was horrible. It was torture. She was easily the worst performer of the night.

While these issues were widely discussed in mass media, the most obvious one was ignored: Her performance was a pseudo-satanic, New World Order, occult ritual. And, as usual, Madonna fully embodied her given role of Grand Priestess of the industry.

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