by Pepe Escobar, Russia Insider:

By offering asylum to the persecuted publisher of WikiLeaks, France’s Macron would enhance his status in myriad European latitudes and all across the Global South, writes Pepe Escobar.

It’s quite fitting that the – imperially pre-determined – judicial fate of Julian Assange is being played out in Britain, the home of George Orwell.

As chronicled by the painful, searing reports of Ambassador Craig Murray, what’s taking place in Woolwich Crown Court is a sub-Orwellian farce with Conradian overtones: the horror…the horror…, remixed for the Raging Twenties. The heart of our moral darkness is not in the Congo: it’s in a dingy courtroom attached to a prison, presided by a lowly imperial lackey.

In one of Michel Onfray’s books published last year, “Theorie de la Dictature” (Robert Laffont) – the top dissident, politically incorrect French philosopher starts exactly from Orwell to examine the key features of a new-look dictatorship. He tracks seven paths of destruction: to destroy freedom, impoverish language, abolish truth, suppress history, deny nature, propagate hate, and aspire to empire.

To destroy freedom, Onfray stresses, power needs to assure perpetual surveillance; ruin personal life; suppress solitude; make opinion uniform and denounce thought crimes. That sounds like the road map for the United States government’s persecution of Assange.

Other paths, as in impoverishing language, include practicing newspeak; using double language; destroying words; oralizing language; speaking a single language; and suppressing the classics. That sounds like the modus operandi of the ruling classes in the Hegemon.

To abolish truth, power must teach ideology; instrumentalize the press; propagate fake news; and produce reality. To propagate hate, power, among other instruments, must create an enemy; foment wars; and psychiatrize critical thinking.

There’s no question we are already mired deep inside this neo-Orwellian dystopia.

John “Paradise Lost” Milton, in 1642, could not have been more prophetic, when he wrote “Those that hurt the eyes of the people blame them for being blind.” How not to identify a direct parallel with Le Petit Roi Emmanuel Macron’s army, month after month, willfully blinding protesting Gilets Jaunes/Yellow Vests in the streets of France.

Orwell was more straightforward than Milton, saying that to talk about freedom is meaningless unless it refers to the freedom to tell people what they don’t want to hear. And he put it in context by quoting a line from Milton: “By the known rules of ancient liberty.”

No “known rules of ancient liberty” are allowed to penetrate the heart of darkness of Woolwich Crown Court.

A Spy at the Service of the People

Juan Branco is arguably the most brilliant young French intellectual – heir to a fine Sartre/Foucault/Deleuze tradition. The French establishment detests him, especially because of his best-seller “Crepuscule,” where he dissected Macronism – branded as a thuggish regime – from the inside, and the French president as a creature and instrument of a tiny oligarchy.

He has just published “Assange: L’Antisouverain” (Les Editions du Cerf), an absorbing, erudite study that he defines as “a philosophy book about the figure of the Anti-Sovereign.” The Sovereign is of course the state apparatus.

Here (in French) is an excellent interview with Branco about the book. There’s nothing even remotely comparable to it in the Anglosphere, which has treated Assange essentially as an unpleasant freak, oozing pedestrian slander and piling up sub-ideology tirades disguised as facts.

The book is essentially structured as a seminary for the hyper-selective Ecole Normale Superieure, the august school in the Latin Quarter here that shapes French elites, a privileged nest of power institutions and reproduction of privileges. Branco takes the reader to the heart of this universe just to make him or her discover Assange from the point of view of one of those students.

Branco was privileged to profit from the interaction between the Ecole Normale Superieure and Yale. He met Assange at the Ecuadorian embassy in January 2014, “in a state of radical confinement,” and then followed him as a juridical consultant, then lawyer, “day after day,” until meeting him again in September 2016, “getting ready to no less than change the course of the American presidential election and engineer the fall of the one who had sworn to crush him, one Hillary Rodham Clinton.”

Branco is fascinated by Assange’s “scientific journalism,” and his capacity to “intervene in the political space without occupying a determined place.” Assange is painted as a contemporary oracle, a maniac for free access to information, someone who “never looked for a reward, or insertion, or juridical protection,” which is a totally different modus operandi from any media.

Branco shows how WikiLeaks “allowed whistleblowers to act,” by growing an archive parallel to the “production of data related to the mechanism of contemporary power apparatuses.” Under this framework “every citizen is able to become a researcher.”

So, Assange’s work has been about redistributing power. It’s as if Assange had become a “spy at the service of the people.” And that leads Branco to draw the connection with the Gilets Jaunes/Yellow Vests. WikiLeaks releasing the “Macron Leaks” in 2017 legitimized the Yellow Vest struggle for direct democracy.

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