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Our April 4 issue is now online, with Erin Maglaque on miracles, Christian Caryl on Alexey Navalny’s legacy, Miranda Seymour on Lord Byron’s reputation, Jason DeParle on seeing homeless people, Daphne Merkin on Barbra, Eric Foner on civil rights and the courts, Trevor Jackson on crashes and slumps, James Quandt on the films of Nuri Bilge Ceylan, Phillip Lopate on Robert Louis Stevenson the essayist, Margaret Scott on the corruption of democracy in Indonesia, poems by Callie Siskel and Michael Robbins, and much more.
“I never thought I was great,” Barbra Streisand writes in her capacious memoir, but the truth seems to be that for a large part of her life she flirted with the possibility that she was.
The bicentenary of Lord Byron’s death is an opportunity to ask what a witty dandy with the flamboyant attitudes of a raucously chauvinistic age can offer today’s world.
In the fourth episode of the podcast series The Critic and Her Publics, Merve Emre talks with Anahid Nersessian about Romantic poetry, the difference between writing for academic and public audiences, and Sylvia Plath’s “On the Difficulty of Conjuring Up a Dryad.”
The Review is collaborating with Lit Hub to publish transcripts and recordings of The Critic and Her Publics. In a series of conversations at Wesleyan University, Emre talks with some of today’s sharpest working critics about their careers and methodology, and then asks them to close-read a text that they haven’t seen before.
“One of my aims is to create a space where a reader can take twenty minutes to engage with an object. Not to be too idyllic about it, but to me that’s freedom.”
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